Path
2018–2020
Systems Analysis and Development
I started at UniFECAF. The first path: logic, structure, flow.
Visual identity, prints, social media and websites by Murilo Lima.
Murilo Lima
Design x Tech x Art
I'm a product designer. I got here by two paths that only recently met: systems and graphic design. Today I design the interface and build the application — which forces me to weigh what is feasible, not only what looks good.
Path
2018–2020
I started at UniFECAF. The first path: logic, structure, flow.
2 of 5
2022–2024
I studied at Anhembi Morumbi while working at Patterns&Colors — the fundamentals at university, the prints and identities in practice.
3 of 5
2024 — now
I founded my own artwear label and direct its creative work: I draw the print, define the pattern, build the identity and maintain the site.
4 of 5
2025 — now
I work on three fronts: art direction, UX/UI for internal tools, and building the applications I design.
5 of 5
Today
The two paths met. I design knowing what the decision costs whoever implements it.
01 / 10






Marcas autorais, de cliente e de produto — da Malli Company ao sistema de marcas do Secovi-SP.
2020 — 2026
02 / 10












Identity for my own label. The chameleon is both the symbol and the argument: a garment that adapts to whoever wears it. From the street to the catalogue, the whole system comes out of the same animal.
Made in 2024
















Identity for an Umbanda temple. The seal carries the pontos riscados of the house's entities, and the palette comes from the fundamento — each colour belongs to an orixá. From the pin to the songbook and the entity posters, the system is built for the house to use.
Made in 2026










Identity and brand book for the corporate university of Secovi-SP. From building the mark to the system that applies it across certificates, course material and campaign pieces.
Made in 2025










Visual identity for a workshop specialising in high-end vehicles. An MA monogram, technical type, and a blue that runs from the storefront sign to the car and the team's uniform.
Made in 2024












Brand for a technology company. The symbol is a wizard's hat that draws the M of the name at the same time; the gradient purple carries the identity from the storefront to the product, from the uniform to the desk.
Made in 2025












Identity for a salon built around bespoke hair treatment. An interlocked MC monogram and a palette that stays in black, grey and off-white — from the window and the sign to the treatment line and the tools of the trade.
Made in 2024












Identity for a pelvic floor physiotherapist. The system was designed for the practice and for the street: giveaways the patient takes home, a class mat, and posters on street furniture.
Made in 2026
04 / 10
A vertical sequence that teaches the event app step by step: download, sign in, build your schedule, score points, find people. Each piece answers one question on its own.
Made in 2026
Brand openers and loops: the Convention, Data Secovi-SP, SecoviTech, the membership campaign and the Milenium Convention Centre sign. Each one resolves the brand's entrance in under ten seconds.
Made in 2026
05 / 10










Label and packaging for an açaí wine produced in Alter do Chão, Pará. The village map sits in as a watermark and a line drawing of the açaí palm closes the face.
Made in 2025










The printed extension of the Malavazzi Automotivo identity: business cards with an engine illustration on the back, a storefront sign in two versions, and a window decal.
Made in 2024
06 / 10










Brand and line of handmade candles. The Serena Collection pairs a peony candle with a marbled cement tray — each tray comes from a different pour, so no two repeat.
Made in 2025
07 / 10










Own-label collection for Malli. Organic prints built around the chameleon and foliage, applied to oversized t-shirts in black and off-white.
Made in 2024




















A collection of geometric prints built from a square module that closes into a seamless repeat. It ships in two palettes: one warm, in earth and orange, one cool, in blues and aqua. The same vocabulary of shapes at two temperatures.
Made in 2023






















A camouflage drawn with the chameleon's silhouette in place of the blotches. Five colourways outside the military repertoire, from off-white to violet.
Made in 2022










Collection for Jouls built around the claim “Plans Make History”. Lettering and symbols in inflated volume, finished in open mesh on the outline version.
Made in 2026
08 / 10














Psychedelic drawing in a saturated palette. The Midnight Coffee series runs from the scene to the menu, and the “retrôdelic trip” and “ufodelia” arcs were made for Lequeria. Almost all vector, from lettering to character — closing with an isometric 3D environment study.
Made in 2025










The prints themselves, without mockups: the three backs from Malli's Organic Collections and the two inflated Jouls symbols. This is the closed file, the way it goes to screen printing.
Made in 2024–2026
09 / 10










Event hotsite, live at convencaosecovi.com.br. A single page that has to sell tickets and inform at the same time: a pinned countdown, content tracks, the speaker grid and a ticket comparison.
Made in 2026










Hotsite for the national management firms meeting, at enaconsecovi.com.br. The same architecture as the Convention at another temperature: dark ground, brand orange, and the Enacon ring as a page element.
Made in 2026










Site for the data intelligence platform of São Paulo's real estate market. The page has to present four products — data, map, research and AI — without becoming a catalogue: each enters through a card and all leave by the same path.
Made in 2026










The email cadence across the event cycle, built in HTML: agenda content, price tier change, sold out, prize draw and thank you. Each opens with its own key visual and closes on the same brand footer.
Made in 2026
10 / 10










Collection lookbook on a light infinity backdrop. Art direction and styling: the garments appear whole and in detail, and the plaid trousers run through the shoot as a thread.
Made in 2026










Second shoot, single source, dark ground. The raking light draws how the garments fall; the palette drops to moss green, brown and off-white.
Made in 2026










Shot outside the studio, between house and backyard. Here the clothes appear in use and in pairs, and the São Paulo City collection and the windbreakers get the context an infinity backdrop can't give.
Made in 2026